Gazing Through London's Window
London OCCCA
January 23rd 2012
London: Bold and evolving. Multitudes of faces and places. Bulging at the seams.
These are just a few ways our diverse capital has been described. The creativity here is cutting edge, ambitious, exciting and quirky. I looked at the myriad of different and unknown worlds that make up ‘London’ in my previous article, and asked the question how can it all be represented through art, and in just one exhibition?
This difficult task has been achieved in an important US show at the Orange County Center for Contemporary Art – a pocket of London within the OC. This is rather exciting for me because it provides a unique perspective which, while residing in London and surrounded by its high energy art scene and culture, can often be difficult to truly appreciate.
In taking a closer look at us, our American neighbours have allowed us to venture out through their London ‘portal’ and turn back to peer in at the view.
The 'London Calling' exhibition was like a who’s who of the young UK art scene. “In conceptualizing the exhibition the focus was to capture the diversity of medium and perspective in UK contemporary art,” says Lisa Popp, Director of Exhibitions for the Orange County Center for Contemporary Art (affectionately known as OCCCA). Lisa selected and curated the artwork for 'London Calling' by working with West London gallery Debut Contemporary, alongside the curation team and fellow artists Joella March and Stephen Anderson.
They selected diverse work “from portraiture to abstract expression, print to new media and multi-layered meaning sculpture.” Traversing the gallery space, we are even encouraged to participate in some pieces such as Carlos M Burgos' peep boxes which offer an alternative glimpse of the urban world.
Popp notes, “I can feel the London art scene vibe infused in the pieces of the exhibition. Artists are reflecting the high energy, cutting edge thoughts, multitudes of people and places, light, hot colour, boundaries bulging at the seams and yet, there is a consistency to scholarship and a sense of polish and respect for tradition in the vast majority of the work.”
So does London really have an influence on the artist’s work or is it simply their base? Their playground? Their exhibiting platform? I spoke with the 'London Calling' artists about what London means to them.
Tinsel Edwards is making a splash in London, she explained, “I love London. I love so much about it, there is creativity everywhere, you can always find amazing art exhibitions and different gigs to go to every night of the week. I love the feeling of possibility that London has, it has an ever-evolving energy which I find really inspiring. You can have anonymity yet also meet interesting people constantly in this city.”
The flavour is undeniably British, with works such as ‘Benji’ by Victoria Heald (right) which references a pose taken from Antonioni’s iconic 1966 film ‘Blow-Up’, – the epitome of 1960s ‘Swinging London’. Heald flew over to attend the Private View. “It was so animated and full of energy, attracting visitors from all over LA” she said. “It was fantastic to have my paintings received by an international audience”.
Tinsel’s statement-making artwork in the show was entitled 'Shoebox' (above), and references the increasing problems with the London housing situation. The imagery in the piece was based on a shoe shop on Shoreditch High Street and took text from real adverts for rental properties on the market.
Honest, characteristically anti-establishment, and often tongue in cheek, her work is directly influenced by her experiences of living here. She describes our city as “steeped in fascinating history. Because it’s so big there is always something new to discover and visually there is always something new to absorb.” Her paintings are a response to her immediate surroundings, “many of my pieces even include London landmarks such as 'White Cube' and 'Shoreditch Bridge'.”
A painter at the other end of the spectrum is Tahnee Lonsdale (right), an introspective artist who paints what she thinks, not what she sees. Her work is a direct and highly personal representation of her life in London. “What I paint is a reflection of me and an expression of how I view the world”.
Lonsdale’s paintings are a patchwork of colour, layered with working and reworking, and smudges of charcoal writing, often wiped away with only traces visible. The very process of painting is inherent in her pieces, and the text-scarred surfaces record a history of each artwork. She explains text as thoughts spilling out of her head and onto the painting, often incoherent and barely visible.
The artist noticed the clarity with which she could view the London art scene through the exhibition. “Sometimes it is only possible to see something when you take it out of the box. This is how I feel about the London Calling show. It's difficult to see how our London art collective might be perceived when it is hanging in a gallery in London. The OCCCA show was like a small piece of a jigsaw puzzle removed from London and placed within the LA art world, it suddenly stands out more, has a more defined expression and definitely gains more attention.”
Silvia Krupinska is a sculptor born in Poprad, Slovak Republic, and has lived in London since the age of 18. Her work (right) utilizes recycled materials, including her own skin, tennis balls, hair, plaster and fruits. “The influence of new trends is visible faster in London, and the underground scene is strong as well. The artists in London, in my mind, have the confidence to express what they believe in.” For Krupinska, the essence is its variety and richness.
That’s the thing about our city, it’s so diverse in culture that there is a lot to be expressed at once. Krupinska noted that this means international art also has its portal via 'London Calling', with selected artists originating from Europe, Asia and South America as well as London. “That is what’s so special about London… the ability of artists to link and work together whatever their place of birth, creating the lively and strong message, like nowhere else. Together we are stronger!”
And certainly at present we can see more innovative and collaborative working in the arts, and creative solutions to opposing the diminution of diversity in UK art. Perhaps the most exciting thing about 'London Calling' as a collective of artists, is that in our climate of limited art funding they have come together and taken it upon themselves to promote and raise the profile of the London art scene overseas.
Gallery director Lisa Popp observed that whilst there seems little difference between the London and the Californian arenas, “the contrast lies in the support artists are given in the UK and the differentiation in government systems.” We can see the influence of this at times like the present where art funding is being shrunk all the time, and the space in which art and new ideas can be realized is becoming scarce, affecting how the artist flourishes or is challenged. But new ways of working are arising. Samir Ceric, Director of London’s Debut Contemporary, notes passionately: “I feel this is just the beginning of a very exciting project which has come out of this unique way of collaborating between Debut, artists and art professionals in the industry.”
I spoke with Nick Lisica, Director of Hudson Link (a boundary pushing LA based curatorial group and nomadic gallery) when he popped along to the private view. "Not only was it great to check out the London art scene, I was also able to establish a working relationship with a number of the artists, laying the groundwork for future collaborations" he said.
The richness London, of its art scene, as well as the challenges it presents, have been showcased beautifully in this compact survey of contemporary art in London, and it’s clearly not the last we have heard of this fledgling relationship forming between two distant places. I urge you, if you’ve not peeked at this show already, to see it for yourself on the links below.
Click here for a 3D walk-through of the exhibition
Click here to view the exhibition catalogue
London Calling
Address: OCCCA, 117 North Sycamore, Santa Ana, CA. 92701 USA
Website: www.occca.org
Words by Nicola Anthony
Images courtesy of Victoria Heald, Tinsel Edwards, Tahnee Lonsdale and Silvia Krupinska
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